NOTE: This post on MC Hammer ran in October 2009. A month later, saw the 1980s' rap-and-pop icon at the Intel CEO Summit, an annual gathering of Intel-funded startup executives, in Orange County, California. Don't call them harem pants or parachute pants, he says. They're Hammer pants:
PHOENIX, ARIZONA, U.S.A. -- HammerTime is in real time, and still legit. If you don't follow tech news, you might not know that rapper MC Hammer is a serious social-media evangelist and Twitter freak (over 1 million followers at twitter.com/mchammer) who rivals actor Ashton Kutcher for digital savvy. Hammer hangs with legendary Silicon Valley entrepreneurs and investors, including Marc Benioff, Ron Conway and Tim Draper. He appears at tech and biz events (Intel Capital, TechCrunch), and speaks at Harvard and Stanford. Last year, Hammer co-founded DanceJam.com, a social-networking dance site, with Flock entrepreneurs Geoffrey Arone and Anthony Young, and he stars in the A&E reality show "HammerTime". Between things, he's retooling his Web site/blog, MCHammer.com, and he'll help Microsoft promote Xbox Live in November. Busy guy.
No doubt Hammer's got street cred in TechLand. He reminds me of Web evangelist and author Guy Kawasaki, a tough Hawaiian buddhahead who hasn't forgotten his roots either. Da bruddah from Honolulu and the Oaktown brother. I like that tag team. Beyond the old stereotypes of rappers, Hammer is a reverend and family man with wife and kids. And like Madonna and Bono, he's an artist with a conscience. Hammer gives back to his community, and his next CD will carry a strong humanitarian message, looking at homelessness, drunk driving and other social ills. Give the man credit. He rose from Oakland's mean streets to the heights of the entertainment field. While many would have given up, Hammer survived serious financial troubles in the 1990s and has found new acclaim today as an entrepreneur. (Although the Internal Revenue Service still is after him; see WSJ Blogs story and Hammer's denial, both below, that he owes back taxes.)
Like Michael Jackson, Hammer's global brand transcends borders. In the coming months, he's got concerts in Europe, Australia, Japan and elsewhere, and his music and Web 2.0 brand reach millions of fans abroad, including young trendsetters on the streets and in clubs. How does he do it? He thinks it's the continuity and positive nature of his message, and the universal appeal of music. (Real catchy and funky riffs don't hurt, either.) Hammer spoke recently on the branding power of Web 2.0 to corporate managers and executives at the ANA Multicultural Marketing & Diversity Conference at the Arizona Biltmore. (See full conference coverage by the ANA Advertiser online magazine here.) Most companies are moving too slowly -- they need to do more than simply start Twitter accounts, he said. They must create trust, two-way communication and products tailored to many consumer groups. “To build brand awareness in social media is a lot easier than traditional marketing dollars,” Hammer said. “If it’s good enough for NASA (to use Facebook and Twitter) to say they found ice on Mars, it’s good enough for us to figure out where in our business models we can use and maximize and optimize social media.”
After his speech, business people mobbed Hammer as if he was Apple's Steve Jobs. The rapper graciously signed every autograph and posed for every photo. No rampant ego, no fawning entourage, no cooler-than-thou vibe. In an interview with CoolGlobalBiz, I asked Hammer how he handles his celebrityhood. "I've been doing this for more than 20 years," he said. "I'm an extrovert -- I feed off people's energy." Hammer looked happy when I told him I could tell he was an avid reader from the rhythm of his talk. "You picked up on that?" he said, grinning. "I subscribe to over 100 magazines and newspapers."
More than 140 characters from Hammer:
On using social media to globalize corporate brands: "Using social media globally -- especially for a brand that's already established, whether it's McDonald's or Coca-Cola -- is the opportunity to engage your consumers from anywhere, anytime. And it's all happening in real time. It's a real reality show. Companies used to stagger the releases (of products). It would come out in America, then four months later in Asia, then Europe. Now companies can roll out on a global basis, in real time, using social media as a key tool and component."
On reaching fans worldwide through tech tools: "Using social media, you can create, plant seeds and begin to market your product and interact with consumers. My tweets are being translated into Japanese currently. Imagine how that shortens the distance between me and fans that I have in Japan. I've done five or six shows in the Tokyo Dome, and all of the youth there were tweeting and texting and all of these things."
On social media for market research: "I've played arenas in Russia, Brazil, Europe . . . Social media was how the promoters knew there was a demand for me over there. They're following the tweets (of fans). They're very plugged into social media there. They said, "Hey, Hammer, can we get you over here?" And all of a sudden there's six, seven shows in March in Europe, and I'm going down to Australia next month. Social media is driving the conversation and creating the interest."
On building his brand, "the culture of Hammer": "There's a consistency in the message, in thinking of myself as a brand. I'm consistent in what I'm trying to communicate. Once you get the template, the blueprint, you launch the Hammer brand the same way you launch (Microsoft's) Xbox. You go in and create awareness . . . and you use the same template on a global basis, keeping in mind you still have to finetune it. Music is a global language. It's a social language that connects and creates interaction. When you add social media to a local language or culture, that's a powerful combo."
On the estimated global value of his brand: "All things considered -- the albums, the videos, the books, the memorabilia, the Hammer signatures, the Hammer pants, the t-shirts, the name 'MC Hammer,' all the commercials that use "U Can't Touch This," the culture of Hammer and its positivity and spirituality -- the value of all that going forward is a billion dollars, and I say that conservatively. My brand is 20 years old and has already reached over 1 billion people around the world. If you had Google news alerts on me, it would be 24 hours, non-stop."
Photo above, "MC Hammer" by no-frills marilyn, under a Creative Commons license on flickr.com.
- IgniteSocialMedia.com, "How Hammer Went From Caricature to Human Being" by Jim Tobin.
- VentureBeat.com, "MC Hammer Offers Entrepreneurial Advice to Intel's CEOs" by Dean Takahashi.
- AOL BlackVoices.com, "Catching Up with Hammer" by Bridget Bland.
- TheDeal.com, "Intel Capital: Can't Touch This" by Olaf de Senerpont Domis.
- BusinessWeek.com, "Building a Market Platform Like a Celebrity" by Dan Schawbel.
- Wired.com, "MC Hammer Hops Onto Dance Craze with DanceJam" by Eliot Van Buskirk.
- Washington Post, "There is an Escape in Dance" by Monica Hesse.
- WSJ Blogs, "Hammer to IRS: You Can't Touch This" by Jacqueline Palank.
- BusinessWire via Reuters, "Monies Allegedly Owed by MC Hammer to IRS Are Leftover from 1996 Bankruptcy Filing," news release from MC Hammer.
